Literature for the prevention of bullying in the early stages of education

Main Article Content

Santiago Yubero
Elisa Larrañaga
Raul Navarro
Sandra Sánchez-García

Abstract

Bullying is a serious social and health problem for children, and schools should be involved from the beginning of schooling in its prevention and intervention. Picture books provide textual and visual narratives that reflect bullying behaviours. Children’s literature is a suitable vehicle for learning about and reflecting on different social problems. The first step is to carry out a content analysis of the literary work to find out how it reflects the situation and what cognitive, emotional and behavioural variables are reflected in the narrative. The objective of this paper is to provide a tool for collecting information that can be used to carry out a content analysis of an album on bullying. The analysis of five quality albums based on the proposed instrument is presented.


 

Article Details

How to Cite
Yubero, S., Larrañaga, E., Navarro, R., & Sánchez-García, S. (2022). Literature for the prevention of bullying in the early stages of education. Ocnos. Journal of reading research, 21(2). https://doi.org/10.18239/ocnos_2022.21.2.3133
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Artículos
Yubero, Larrañaga, Sánchez-García, and Navarro: Literature for the prevention of bullying in the early stages of education

Reading as a socio-educational intervention strategy

Education must be committed to the processes of integral personal development, social well-being and quality of life. Today’s society has presented us with new social realities, which are a continuous challenge for education (). Reading is one of the most widely used practices at school and plays an essential role in school activities from a very early age. Text reading is an effective method for critically confronting reality; it becomes a suitable vehicle for deepening those texts that already pose conflicts and for turning a problematic issue into a topic for discussion and reflection (). The commentary of a text is a process of integration of diverse information and a valid vehicle of becoming aware of our living environment; but it also allows us to critically examine relevant messages or contents, questioning ourselves about the validity of these contents. Therefore, reading goes beyond the school education sphere, contributing significantly to the social integration and personal development of individuals.

It should be understood that literary texts exist not only to bring aesthetics and beauty to the world, but also to broaden our educational process. The events that take place throughout the story and the characters that come to life through words become vicarious experiences that may have an impact in the way our attitudes and behaviours are geared, besides influencing our own moral judgements (). When readers immerse themselves in texts, they create a mental picture of the story and even empathise with the characters and situations thereof from an emotional point of view (; ). The role models represented by the characters of the texts become the main focus of literary communicative interaction thanks to the processes of empathy or identification with the characters and their vicissitudes within the world of fiction. The different association relationships created between readers and characters from complex psychological processes make possible to recognize and imitate the values that are represented.

The socializing power of stories lies in their emotional power, in their ability to present our own fears, feelings and internal conflicts. Reading contributes to rebuild oneself against any loss affecting the meaning of life, it is a common experience that has been described by many authors (). The metaphorical power of words and their permanent distancing effect provide readers with a renewed, vigilant view of reality, which may make him/her question himself/herself critically and efficiently about the existence of real things.

Intervention strategies through reading use texts to bring readers closer to reality. The aim is to encourage dialogue between readers and texts, reasoning about the events that happen to the characters, relating the behaviours reflected in the texts to their own experiences and beliefs. Texts offer materials suitable for reflection and analysis, allowing readers to exercise decision making and problem solving (, ). The experiences conveyed by books allow us to live other lives, to identify with other persons or reject them, to know different scenarios and times, to face multiple conflicts, to explore our relationships against them and to take certain criteria or stands.

Literary works raise different social and cultural conflicts, which allow readers to understand that others before them went through similar moments, provoking situations that can help to know, understand and/or cope with one’s own conflicts. By means of reading, readers learn how to make decisions and solve problems, becoming a privileged instrument to educate in social skills and values.

Within the classroom we find, for example, numerous studies that show the benefits of reading and literature to work on coeducation and the development of egalitarian attitudes (; ; , ; ); as well as interculturality and education for tolerance through literary texts (; ; ).

The different ways of reading a text depend on the readers’ experiences, knowledge, context, current situation and needs. We should understand that literary texts are not construed unidirectionally but following multiple interpretations. Text comprehension will be conditioned by what the reader previously knows and by what he/she has updated of that knowledge during the reading process (); because reading, when it is an active and comprehensive task, mobilises the reader, moves him/her and awakens his/her cognition and emotions. Without calling into question the educational role played by reading, we should keep in mind that is perceptive differentiation by the different readers is the key to the process. This way, each reader shall make his/her own perceptive choice from the contents of the text itself, which shall basically be based on his/her experiences, on what he/she learnt and on all those values and beliefs assimilated throughout his/her socialization process.

For this reason, shared reading sessions in the classroom should be planned as socio-educational interventions, in which, while bringing reading closer to children and young people, we help them become more competent, critical and reflective of the society around them, motivating dialogue between the texts and their personal experiences and thus strengthening their reading competence. Reading is a complex cognitive activity, so there may be a process in which those aspects we want to motivate reflection and dialogue are not perceived by the readers to whom they are addressed, and if not by all, at least by those whose vital and contextual characteristics lead them to have different perceptions. The meaning of a work is perceived in different ways depending on the historical, social and cultural context of each reader, since every literary creation is capable of transmitting new suggestions and evaluations depending on the perspective from which it is read or analysed (; ). Therefore, in order to implement socio-educational interventions based on reading, it is essential to have a mediator who carries out different strategies aimed at recognising and analysing the situations presented in the texts. The role played by the mediator should not consist on imposing one single, officially validated reading, or on avoiding relativism when construing the text to guide the reader to identify certain values ().

When using literary works for socio-educational intervention, readers must value or reject the characters and relate the behaviours reflected in the texts to their own experiences and values, in order to really reach an understanding between the text, the reader and the society where they live.

Bullying

Bullying is a serious health and social problem for children (). It has been defined as an aggressive and intentional act carried out by a group or individual, repeatedly and over time, against a victim who cannot easily defend him or herself (Smith et al., 2008). Bullying is not just hitting, there are different behaviours that do the same harm. Five types of bullying can be distinguished in traditional bullying: direct physical bullying (hitting, pushing); indirect physical bullying (breaking, stealing, hiding things); direct verbal bullying (insults, name-calling); indirect verbal bullying (bad-mouthing, spreading rumours); social bullying (not allowing participation in the group, ignoring) ().

Research has highlighted the relevance of school-based intervention against bullying in primary education (; ). Longitudinal studies have reported the presence of continuous victims, i.e., victims who maintain that role over time. Victimisation thus stabilises throughout their schooling in a small percentage of children. For this reason, it is essential to intervene from an early age.

Studies have shown there are differences in the coping strategies that victims may adopt. Research shows strategies that seek social support and succeed in blocking the aggressor’s action are effective, while direct aggressive confrontational responses to the offender do not appear to be effective, nor do those that consist of doing nothing or ignoring the situation (). The use of ineffective strategies can lead to continued bullying and further harm to victims (). The role of families and teachers is very important in detecting bullying and is also key in dealing with strategies for dealing with it. The role of teachers is very important in maintaining and promoting a classroom climate based on coexistence and respect.

On the other hand, from the perspective of group psychology, it is essential to understand the adversary in order to resolve a conflict (). Understanding the aggressor’s motivations and beliefs is necessary to be able to intervene more effectively (). Social Cognitive Theory (1999) identifies moral disengagement as a cognitive process through which people justify their aggressive behaviour or distort the consequences it may have on others.. Studies have identified that students who reported moral disengagement from bullying were more likely to engage in these behaviours (; ). In minors, aggression is justified because the victims are considered different. This mechanism diminishes empathy towards victims and has serious consequences on the victim’s self-concept development, who also comes to perceive himself/herself as different and responsible for the bullying. Conversely, if aggressors and observers are able to appreciate the victim’s pain, moral disengagement is reduced.

Following the ecological model, adapted from , friends are a supportive and protective group, although the peer group can also reinforce bullying.. By conceiving bullying as a group process, the link between the bullies and victims is affected by other relationships with other peers (). Research has also linked moral disengagement to observers’ response to bullying (). Peers may maintain bullying with their silence, in some cases, because they may find the victimisation amusing; or they may eradicate it with supportive behaviour towards the victim (). Feeling indifference, amusement, well-being and satisfaction from bullying motivates the repetition of aggressive behaviour (). It is essential to break the aggression/fun binomial. The association of guilt and grief can trigger bullying intervention behaviour and support for the victim ().

Children find it difficult to adopt the victim’s perspective and to perceive how the victim feels. This lack of awareness among peers leads to the activation of moral disengagement and lack of support for the victim. They need to recognise the harm caused by peer violence and appreciate the importance of supportive behaviour in stopping victimisation. Therefore, for an anti-bullying programme to be effective, it must make all students aware of their role ().

Importantly, moral disengagement is a process in which children become used to bullying through repetition of the behaviour and the beliefs that justify it (). From a cognitive-structuralist perspective (; ), moral behaviours depend on motivations in specific situations, on expectations of behaviours and on one's own or vicarious lived experiences. Moral competences include empathy, reasoning about moral dilemmas and understanding the consequences of their actions on other people. If we take it to the field of bullying, we can situate it in the ability to put oneself in the position of the victim, to reason about bullying situations and to understand the consequences of the victim’s behaviour.

, proposed an interactionist approach to moral phenomena, pointing to the relevance of modelling, mentoring and exposure to the reactions of others. For this author, morality is an anticipatory regulatory system, where people monitor and judge their behaviour, according to social norms, in search of self-esteem and personal satisfaction. It differentiates between three processes:

  • - Monitoring: the beginning of behavioural control, consisting of the evaluation of one’s own actions.
  • - Judgement: conduct is judged on the basis of whether or not moral rules are respected.
  • - Self-reactions: a result of judgement, where the individual experiences positive or negative emotions that will lead to the final action.

It is necessary to intervene in the moral development of minors so that we can modify bullying behaviour before they develop justification schemes for their behaviour.

Reading as a reflection for the prevention of bullying

The narrative of picture books, both textual and visual, allows us to introduce early readers to many realities in order to open up their world and broaden their experience. The fact that narratives reflect society, with its virtues and defects, makes them a very useful tool for giving visibility to certain social issues and also for their prevention, as well as for socio-educational intervention (). Empathetic reading, based on identification with the narrative, supports minors. to reflect on behaviours and reactions presented by the characters, whether humans or animals; or to awaken modelling or a critical attitude, as well as to get them to learn how to cope with different situations. Shared dialogue will obviously facilitate reflection on socio-cultural intervention ().

Through an experimental methodology, shows that, in order to be able to read the albums completely, the role of the mediators is essential in helping the children to recognise what they have not seen before. Mediators have to implement the cognitive and emotional actions of reading: understanding and interpreting the reading (text and images),infer a view of reality, consider the behaviour and emotions of the characters, analyse the contexts of the narrative, apply the reading to different aspects of life and draw conclusions about the story.

This reflection is useful in relation to bullying. Based on the reading stories of the readers themselves, we advocate the idea that the reading habit can only be developed through empathetic reading, for which metacognitive strategies of personalisation must be strengthened (), which are also the key to enhancing the social uses of reading (). It is important to bear in mind that if intervention on aggressive behaviour and peer victimisation is addressed from an early age, the outcome will be more effective. Moreover, the prevention of these aggressive behaviours can be worked on through the reading of children’s books.

The aim of this paper is to develop and evaluate an instrument to facilitate content analysis of bullying in picture books.

Method

The proposed analysis model addresses two key issues. On the one hand, text analysis, which proposes the study of the main narrative elements of a text and focuses on the key elements of any narrative text: characters, conflict and denouement.

In children’s and young adult fiction, the fictional world created in the story basically lies on the characters; as a response to the need to catch the reader’s attention and interest on the main characters, so their characterisation and development acquires greater importance, if possible, than in general literature. The objective of this analysis is to study their capacity to evolve in the story in depth, bearing in mind that what is really important in these characters is the search for the personality in which they are engaged, the ways in which they are able to overcome situations, the whys and wherefores of the ways things work, of the self and of the world around them ().

In this sense, it is proposed to focus the analysis on the relationship that these characters have with the bullying situation, the strategies they use to confront the situation and the reason that leads to this behaviour.

Denouement is a key element of any narrative. The end of the works is a decisive resource as a constructive element of the story, as it gives a meaning to the narrative; but also because of its link to the educational proposal that underlies most children’s and young adult books. The emotional reactions provoked in the reader by the traditional positive denouement make it the educational denouement par excellence, as it helps the reader to deduce rules of conduct from the success or failure of the characters. But children’s storytelling has also experimented with other kinds of thought-provoking endings. The usual positive denouement converges the positive denouement, in which the problem does not disappear, but the characters learn to live with it; the negative denouement, in which the conflict persists; and, finally, the open denouement in which the resolution of the conflict is left up in the air, which allows for various interpretations of the story ().

In children’s stories, the illustration acquires great importance and prominence, as it converges the text as another part of the story; helping the reader to identify characters and situations during the reading, to mark the rhythm and sequencing of the narration and, in short, to better understand and interpret the story. For this reason, it is important to focus part of the analysis on the graphic narrative and how it complements the information provided by the text. Links between text and image can be grouped into five categories of interactions (, ):

  • - Symmetrical: text and images tell the same story, repeating the information from different communication channels.
  • - Magnification: the images amplify, even if only minimally, the information given.
  • - Complementary: the magnification interaction is more meaningful and the image offers relevant and different information to that provided by the text.
  • - Counterpoint: text and images collaborate to convey meanings beyond their own field, giving a different perspective or an ironic point of view.
  • - Contradictory: words and images seem to be opposites, offering two seemingly disparate stories.

It should be borne in mind that all these classifications are not absolute and the limits between one category and another are not always clear, with more than one of the categories described coexisting in the same composition, as pointed out by (). All these elements are collected in a file that facilitates the identification and description of the categories used for the analysis of the selected books (see Annex 1).

Results

The content analysis of the selected books, according to the categories designed, is presented below. Only the categories that appear in the textual and graphic narrative in each of the books are included in each card.

TEXT NARRATIVE
1. Main character
Victim: Mimí
2. Bullying situation

Direct verbal bullying: nickname, “Tomatito”.

Indirect verbal harassment, teasing

Social harassment: not being allowed to participate in the group

- At recess, her classmates call her “Tomatito” on the sly... and also to her face!

- “… is never picked for any team”

3. Bullied
Character(s)

Mimi, a very shy girl

- “Just hearing her name... she turns as red as a tomato!

How the victim feels

Discomfort, anxiety, nightmares,

- ... Mimi has a terrible time”.

- “… Mimi is so nervous that she keeps tossing and turning in bed, and when she finally falls asleep, she has lots of nightmares!

- “… her heart is pounding and her legs are shaking”

Coping strategies

Doing nothing

- “¡Mimi just wants to fade away!”

4. Bully
Character(s)
All Mimi’s classmates
Reason

Moral disengagement: Mimi is different, she blushes.

Emotional component: fun

- Everyone laughs when they see Mimi blushing”.

5. Observers
Character(s)
None
6. Solution

Teacher

Breaks the harassment-fun pairing

Evokes negative emotions in the face of harassment

Supports the victim

- SHHHHHH, quiet, please! This is a classroom, not a madhouse! You should be ashamed of yourselves for treating a peer so badly”.

- “Her name is Mimí, not Tomatito, understood?”

GRAPHIC NARRATIVE

Symmetrical interaction, reinforcing the idea of the main character’s shyness.

Complementary interaction, presenting scenes of rejection and mockery of the main character from the image.

3133_gf2.png

Monloubou, L. (2009). Mimí “Tomatito”. Bruño 

Original title: Myriam la tomate farcie! Editions Kaleidoscope

TEXT NARRATIVE
1. Main character
Victim: Uma
2. Bullying situation

Social harassment: nobody played with her

“... no one played with her at recess, ... no one seemed to see her when she went anywhere else because wherever she was, she was lonely.”

3. Bullied
Character(s)
Uma, people think she is weird.
How the victim feels

Sad, discouraged, isolated, she ends up feeling weird

“... Uma was locked in that endless silence, her gaze lost in nowhere”

- “They saw an absent and crestfallen Uma. Uma is trapped by sadness”

- “... she seemed to be sinking in a vast, dark sea”

- “... wherever she was, she felt lonely”

- “I don’t know if I’m weird, maybe I am”

Coping strategies

Doing nothing

Ignoring the situation

- “I’m fine”

- “One morning Uma didn’t want to leave the classroom at break time”

- ... “I’m tired”, “My head hurts a bit”, “I slept badly”

4. Bully
Character(s)
All Uma’s classmates
Reason

Moral disengagement: Uma is different, she’s weird. They blame Uma.

Emotional component: disregard

- “Uma is weird”, “She’s a weirdo”, “She’s a freak”, “She’s not like the others”

- “A weirdo is someone who withdraws from others, who does not want to play with everyone else, who does not talk to everyone else.”

5. Observers
Character(s)
Parents, Mercedes (the teacher)
Strategies against bullying

Not aware of bullying (parents)

Supporting the victim (teacher)

- “They saw an absent and crestfallen Uma. Uma is trapped by sadness”

- “... I watched Uma sat on the same bench in the playground while her classmates came and went in groups and didn’t seem to see her”

Reason
Others: They justify it by the child’s development (parents).
6. Solution

Teacher:

Breaking moral disengagement

Holding aggressors accountable

Social support

Reinforcement of Uma’s self-esteem

- “Upon returning to the classroom, the teacher wrote the word WEIRD on the board and asked her students to try to define its meaning and explain what they meant by weird.”

- “Aren’t weird those who turn away from someone they judged as weird themselves?”

- “Mercedes sat down next to her and, gently, stroking her chin so that she lifted her face...”

- “I know one day they started to look at me strangely and I don’t know why, but I know my friends started to say things about me, in a low voice, and they would move away if I approached them. I know how weird it is to go out in the playground and not be approached, that no one wants to play with you”.

- “Uma is... fine - she said as she named all students on the list -. What about the others?

- “Do you know what? I wouldn’t say you are or aren’t weird, you are Uma, and what I am sure of is that you are unique! With your preferences, your hobbies, the way you dress, the way you talk, think, feel...”.

GRAPHIC NARRATIVE

Magnification interaction by playing with the use of colours. It reinforces the idea that what is different is what should capture our attention (Uma’s red dress) and the others go unnoticed (grey colours). The positive outcome of the story is mainly represented in the final illustration.

3133_gf4.png

Díaz Reguera, R. (2018). ¿Qué le pasa a Uma? NubeOcho. 
TEXT NARRATIVE
1. Main character
Victim: Mara
2. Bullying situation

Direct verbal bullying

- “Mara is big-eared”

- “Mara has stubble hair”

- “Mara is dressed in a tablecloth”

- “Mara has a torn sock”

- “Mara wears old shoes”

- “Mara has no backpack or rucksack”

- “Mara always reads used books”

- “Mara’s guts are roaring”

- “Mara is lanky”

3. Bullied
Character(s)
Mara
How the victim feels
Happy and content
Coping strategies

Ignoring the situation

- “No, they’re just big ears, but I don’t care.”

4. Bully
Character(s)
Mara’s peers
Reason

Moral disengagement: Mara is different

Emotional component: Fun

5. Observers
Character(s)
Mother
Strategies against bullying
Supporting the victim
6. Solution

Mother: Mara’s self-concept

- “No, my little girl, your ears are like butterflies”

GRAPHIC NARRATIVE

Magnification interaction by presenting the situations in parallel but reinforcing in the expression on Mara’s face the moods the character is going through.

3133_gf6.png

Aguilar, L. (2014). Orejas de mariposa. Kalandraka. 
TEXT NARRATIVE
1. Main character
Victim: Alan
2. Bullying situation

Direct physical bullying

Indirect physical bullying

Direct verbal bullying

- “If someone refused to do what he wanted, he would threaten to punch him/her”

- “... Alan lay on the floor trembling with fear and bleeding from his lip”

- “... he had been pushed him hard and was now eating it (the sandwich) right under his nose.”

- “Cowardly, cowardly custard! Cowardly, cowardly custard!”

3. Bullied
Character(s)
Alan, small but brave
How the victim feels

Inferior, fear,

- “... Alan lay on the floor trembling with fear...”

Coping strategies

Doing nothing

- “It was nothing teacher, just an unimportant fight”

- “Samuel accidentally pushed me and I fell down”

- “He felt bad but said nothing and tried to forget everything as soon as possible.”

4. Bully
Character(s)

Samuel

- Samuel was taller and stronger than his classmates and thought that all problems could be solved by force”.

Reason

Moral disengagement: He considers himself superior to others

Emotional component: Fun, power

5. Observers
Character(s)
Classmates, teacher
Strategies against bullying

Supporting the aggressor

Doing nothing

- “Bravo! Well done, Samuel! You are the strongest!

Reason

Moral disengagement: Alan is less strong, normalising a fight

Emotional component: Fun

6. Solution

Nala, a child from a different world.

Alan’s self-esteem: “King of the Brave”, peaceful conflict resolution.

Social support: Club of the Brave

- “Samuel is one and we are many. I propose every time he picks on one of us, the rest of us stand in front of him and defend him!

- “The Club of the Brave grew and grew, because being a partner had many advantages and Samuel realised that little by little, he was becoming lonely”

GRAPHIC NARRATIVE

Amplification and complementary interactions, bringing expressiveness to the emotions and thoughts of the characters through the illustrations.

3133_gf8.png

Ibarrola, B. (2008).El club de los valientes.Ediciones SM. 
TEXT NARRATIVE
1. Main character
Victim: Crisantemo.
2. Bullying situation

Direct verbal bullying

- “When Miss Charo called the roll, everyone laughed at the name Crisantemo”

- “Look! She even looks like a flower! -shouted Victoria as she appeared in the playground.

-Let’s start it up-proposed Rita

-Let’s see how she smells-insisted Josefina”

Indirect verbal bullying, teasing

3. Bullied
Character(s)
Crisantemo, a happy girl, proud of her name until she goes to school.
How the victim feels

Embarrassed, sad, she has nightmares

- “Crisantemo ducked her head, self-conscious. She no longer thought her name was absolutely perfect. She was convinced it was horrible”

-“At the time, Cristantemo wanted to fade away”.

-It was the worst nightmare of her life.

Coping strategies

Doing nothing (at school)

- “If I had a name like yours, I’d definitely change it. -Insisted Victoria...

“I wish I could!, thought Crisantemo, disheartened”

Seeking family support

-School is not for me-answered Crisantemo -. They say I look like a flower, it’s like I’m being plucked, and they even smell me...

4. Bully
Character(s)

Victoria

- “What a name you’ve got! I can’t believe it -murmured Victoria as the children lined up to leave the classroom”.

Reason

Moral disengagement: Crisantemo has a flower name

Emotional component: Fun

- “When Miss Charo called the roll everyone laughed at the name Crisantemo”.

5. Observers
Character(s)
Rita and Josefina, teacher (Miss Charo)
Strategies against bullying

Supporting the aggressor (Rita and Josefina).

Doing nothing (teacher)

-“Thank you for your clarification, Victoria -interrupted Miss Charo-. But we are not talking about flowers now...”

Reason

Moral disengagement: Crisantemo has a flower name

Emotional component: Fun

6. Solution

Emotional support from parents

Teacher (Miss Estrella)

Breaks the harassment-fun pairing

Supports the victim and strengthens her self-concept.

-“What is so funny? -asked Miss Estrella”.

-“My name is Malvarrosa. Malvarrosa Estrella. And if the baby I’m expecting is a girl, we’ll name her Crisantemo. I think it’s an absolutely perfect name”.

GRAPHIC NARRATIVE

Complementary interactions by expanding on the information provided by the text through illustrations that reinforce especially the idea of teasing from classmates and the emotional support provided by her parents through reading books on psychology.

3133_gf10.png

Henkes, K. (1999). Crisantemo. Everest 

Original title: Chrysanthemum

Conclusion

The categories proposed in the data collection instrument were appropriate for the content analysis of picture books. It allowed us to map the analysis of the bullying reflected in the text and graphic narrative, both in terms of the bullying situation narrated and the roles involved. It also allows us to easily obtain information on the variables described in the literary work. The selection of readings and the programming of activities for the intervention will be easier based on this information.

The albums under analysis reflect the forms of bullying that occur among children most frequently. It is important to note that the books reflect verbal bullying and social bullying as harmful forms of peer relationships. These are forms that may go unnoticed by children and to which they play down. However, all narratives neatly reflect the consequences of any bullying behaviour. As we have mentioned, children have difficulties recognising this area. It is therefore important to pay attention to all text and graphic signs in the text in order to establish a dialogue with children. We have found this useful in order to highlight the reason reported by aggressors and observers for their behaviour. It also allowed us to focus on the emotional analysis of the characters, which is a key aspect of the behaviour of aggression and the reactions of the observers. The books under analysis show fun-aggression and bullying to maintain power over others. It is also very important to be able to pay attention to the role of classmates and teachers (in the texts under analysis, it is the teacher who takes centre stage).

We found the relevance of the resolution of bullying in the narratives very interesting. Positive coping strategies stand out perfectly. This aspect can be strengthened in the intervention with children through reading. We believe that as a line of future work we should further specify the variables of analysis in this section. It may also be interesting to include gender stereotyping analysis, as research has highlighted the relevance of gender norms on bullying behaviours ().

We advocate the use of reading as a tool for intervention against bullying among children. Literary works allow for modelling in a safe environment, facilitate exposure to the reasons and emotions linked to aggression and open the window to learning about the consequences of bullying.

re can monitor the harassment, judge the actions of the characters and reflect on their emotions through storytelling and based on their own behaviour. To this end, it is essential to carry out a prior content analysis of the text in order to direct the actions of the mediators. We hope to be able to contribute to facilitating this task by using the analysis resource presented in this paper.

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Appendices

Appendix 1

TEXT NARRATIVE
1. Main character

Victim

Aggressor

Observer

2. Bullying situation

Direct physical bullying

Indirect physical bullying

Direct verbal bullying

Indirect verbal bullying

Social bullying

3. Bullied
Character(s)
How the victim feels
Coping strategies

Seeking family support

Blocking the aggressor’s action

Direct aggressive confrontation

Doing nothing

Ignoring the situation

4. Bully
Character(s)
Reason

Moral disengagement

Emotional component

5. Observers
Character(s)
Strategies against bullying

Supporting the victim

Supporting the aggressor

Doing nothing

Reason

Moral disengagement

Emotional component

6. Solution
GRAPHIC NARRATIVE