Theoretical keys for reading the literature of the historical avant-garde

Abstract

In this paper we present the theoretical key approach that we consider sympathetically fruitful to read literary works of the historical avant-garde exposed. It is part of the new conception of the image as two-way phenomenon, perceptive and intelligible, being the main and common procedure of all creations. To get a full reading, we want to analyze the texts from the union of fhenomenology and gestalt, suggested by Dali, its connection with the aesthetics of reception, linked in turn to the principles of Gombrich and Arnheim, and cognitive dimension of them all. The validity of the Stylistics and Semiotics for this claim is questioned. In addition, it is concluded that the new image requires an active receiver -called sensolector by the double Vía- that can build the signi- ficance of experiencing works as a creative reading experience equivalent to that of the author, which is exemplified in reading the poem “Synopsis” by Guillermo de Torre.